curated by Jetona Koçibelli
Guided by the curatorial vision of Jetona Koçibelli, the identity mirrors the painter's evocative canvases. Fragmented anatomical forms, expressive textures and saturated hues translate an existential dialogue into a striking visual language.
Faces and marks emerge from layered compositions, creating a deliberate tension between chaos and order — a reflection of the artist's own balance of control and instinct.
visual production
A bespoke titling face drawn for the exhibition: high-contrast, tightly fitted, with letterforms cut and re-joined so the counters echo the fractures in the paintings. Two weights, a full Albanian diacritic set, and alternates for the show's title lock-up.
Palettes sampled directly from the canvases, then constrained to a working set that holds on screen and in print. Every crop follows one rule — the figure never sits whole in frame — so posters, cards and social cuts read as one body of work.
Press-ready artwork for totems, large-format posters, the invitation series and the artbook: colour profiles proofed against the physical paintings, uncoated stock chosen for texture, and on-site supervision through printing and mounting.
Animated studies built from scans of the work — slow displacement, grain and colour bleed — cut into a short exhibition film and looping fragments for screens in the space and for social.
Hosted by the Prime Minister of Albania, the exhibition carried a layer of national recognition.
the exhibition
the exhibition — cont.
exhibition film
playexhibition film
looping fragments — screens & social
campaign & rollout
A staged rollout — teaser fragments, then the full key visual, then documentation from the opening. Ten campaign frames sized for feed, story and press, each carrying the same typographic lock-up.
Press kit, artbook and invitation series prepared for an opening hosted by the Prime Minister of Albania — material that had to work for national media and for the gallery wall without changing register.
Wayfinding, wall texts, printed totems and screen loops installed across the space, so a visitor moved through the identity rather than past it.
applied identity
invitation series
artbook
The system extended across digital platforms, printed materials and the exhibition's promotional campaign. The artbook layout became an intimate space to revisit the raw energy and fragility of the works — screen, print and page each a threshold into the same world.
download artbook ↓
campaign frames
process & motion